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utorok 11. 9.
14:00

Occupation 1968

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Okupácia 1968, r. E. Moskvina, L. Dombrovszky, M. Szymkow, M. E. Scheidt, S. Komandarev, SK/CZ/PL/HU/BG, 2018; 130 min.; sk, cz, pl, hu, bg, de, ru / sk tit,

A documentary project about August 1968 is a collective subjective view on soldiers of the “allied” armies, on the occupation of Czechoslovakia in August 1968, and on the role the soldiers played in it. The main question is how a “small fry” behaves in the face of a “big story”. What role do their personal responsibility, personal point of view or morals play, and what happens when they have to choose between saving one’s life and obeying orders?

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17:00

The World is Waiting

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Verden venter, r. Mariken Halle, NO, 2014; 108 min.; no / en sub / sk tit,

We meet three Swedish women working as waitresses in Oslo one summer. They are going to start their own theatre and need money. They get advice from older men on how to start (or not to start) a company. A lot of people seem to be worried. Summerhouses are getting sold. A pregnant woman collapses in her own baby shower. A father figure shows up with bigger and bigger presents. A film crew is celebrating the premiere of a film all of them hate. Our waitresses guide us around in this world of struggling people trying to stake out a future.

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Lemonade

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Lemonade, r. Ioana Uricaru, RO/CA/DE/SE, 2018; 88 min.; en, ro / en sub / sk tit,

While working in the U.S. on a temporary visa as a caretaker, Mara, a 30 year-old single mother from Romania, marries Daniel, an American. After the arrival of her son Dragos, everything seems to have fallen perfectly into place. When the process of getting a green card veers unexpectedly off course, however, Mara is faced with abuses of power on every level and forced to answer a dark question about herself – how far would you go to get what you want?

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19:00

What Will People Say (Opening Ceremony)

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Hva vil folk si, r. Iram Haq, NO/DE/SE, 2017; 106 min.; no, urdu / en sub / sk tit,

Fifteen-year-old Nisha lives a double life. At home in Oslo, she obeys the traditions and values of Pakistani family life, but outside with her friends she is just like any other Norwegian teenager. One day, Nisha’s two worlds brutally collide when her father catches her in bed with her white Norwegian boyfriend. Nisha is kidnapped by her parents and sent to live in Pakistan. At first, Nisha feels alone and afraid in the strange new land, but then slowly, she starts to discover her parents’ culture in a new way.

This movie will be screened after an Opening ceremony of 13th IFF Cinematik.

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20:00

The Lust for Power

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Mečiar, r. Tereza Nvotová, SK/CZ, 2017; 89 min.; sk ,

When the totalitarian communist regime in Czecho-Slovakia fell in 1989, director Tereza Nvotová was 1 year old. The leaders of the Velvet Revolution decided to organize a contest for a minister of interior. One of the applicants was Vladimír Mečiar, at that time unknown corporate lawyer from the Slovak countryside. After winning the contest, Vladimír Mečiar reaches the very top of the Slovak politics from where he rules the country using debatable practices. On the background of events like the dissolution of Czecho-Slovakia or the abduction of the son of the president of the Slovak Republic, Tereza and her peers enjoy their childhood years.

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The Cremator

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Spalovač mrtvol, r. Juraj Herz, CS, 1968; 97 min.; cz / en sub,

Mr. Kopfrkingl works in a crematorium, is married and has two children. He takes an excellent care of his family and fulfills his duties at work very conscientiously. One of his acquaintances, Walter Reinke, is very enthusiastic about the annexation of Austria into the Greater Germanic Reich. He persuades Kopfrkingl that he has pure Aryan blood in his veins. Kopfrkingl joins the Party and gradually obtains a perverse belief about saving the world against the Jewish threat. His colleagues, friends and family need to be saved but they don’t need to worry – nobody is going to suffer and he will save them all.

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21:00

Get Out

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Get Out, r. Jordan Peele, US, 2017; 103 min.; en / cz tit,

Rose is white and Chris is black, so what? Well, at least Rose’s parents Missy and Dean are extremely friendly towards Chris from the very first moment. The only thing they dislike about their daughter’s boyfriend is that Chris occasionally smokes but that has nothing to do with his skin colour. Psychologist Missy offers Chris to rid him of this bad habit through hypnosis. It would be a paradise on earth, if two black employees of the family did not behave in such a weird way…

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23:00

Valley of Shadows

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Skyggenes dal, r. Jonas Matzow Gulbrandsen, NO, 2017; 90 min.; no / en sub / cz tit,

Between the sea and the mountains in a small village in Norway, Aslak (6) lives with his mother Astrid. A tragic event occurs that Aslak can’t quite understand and Astrid struggles to handle. Aslak’s friend shows him a macabre scene; three half-eaten sheep killed in the forest on a full moon night. In a quest for answers, Aslak ventures into the menacing forest behind his house. Is what happens on his journey merely a boy’s imagination or is it reality?

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1%

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1%, r. Stephen McCallum, AU, 2017; 92 min.; en / sk tit,

A macbethian story of brotherhood, loyalty, love, and betrayal set within the primal underworld of outlaw motorcycle gangs. It follows Paddo, heir to the throne of the Copperheads MC, who has to betray his president to save his brother’s life. A betrayal leads to a gang war and forces Paddo to choose between loyalty and blood.

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streda 12. 9.
11:00

Válek

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Válek, r. Patrik Lančarič, SK, 2018; 131 min.; sk ,

To this day, poet and politician Miroslav Válek is considered a very controversial figure of the Slovak cultural and social environment that is connected with many legends and controversies. The filmmakers try to inquire into the roots of such controversies based on Válek’s inner conflict – conflict between Válek the poet and Válek the politician. Conflict between what is intimate and what is public.

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Juliet, Naked

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Juliet, Naked, r. Jesse Peretz, US, 2018; 105 min.; en / sk tit,

Annie is stuck in a long-term relationship with Duncan – an obsessive fan of obscure rocker Tucker Crowe. When the acoustic demo of Tucker’s hit record from 25 years ago surfaces, its release leads to a life-changing encounter with the elusive rocker himself. Based on the novel by Nick Hornby, Juliet, Naked is a comic account of life’s second chances.

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14:00

Addicted to Altitude

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Vábenie výšok, r. Pavol Barabáš , SK, 2017; 100 min.; sk ,

In the late 20th century, Slovak Himalayan mountaineering experienced world successes, but also failures. Through the eyes of one generation of climbers, the documentary Addicted to Altitude shows the evolution of Slovak Himalayan mountaineering from the very first expeditions to the bold assaults on the world’s highest mountain.

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The Tree Feller

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Hoggeren, r. Jorunn Myklebust Syversen, NO, 2017; 80 min.; no / en sub / cz tit,

Anders is a 39-year-old man who decides to give up on his ordinary life in the city. He moves to a quiet little farm that belonged to his deceased parents and spends his days out in the forest, aimlessly chopping down trees. Not a woodsman by any means and with no real plan, his only desire is to be out in nature, and to lose himself in the physical work. However, his attempt to escape is soon interrupted by the constant involvement of his pushy relatives who want to tell him what to do and how to do it. Soon it becomes clear that any chance of Anders finding freedom or space is gone, as he realises that he has just traded in one claustrophobic existence for another.

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Morgiana

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Morgiana, r. Juraj Herz, CS, 1972; 99 min.; cz,

Viktória and Klára are sisters. After the decease of their rich father, younger Klára inherits almost all the money. She is very popular with people around her and courted by several men at the same time. One of them is notary Glenar, with whom older Viktória is secretly in love. Viktória envies her sister’s inheritance and her attractiveness to men. She doesn’t even try to hide her jealousy and decides to get rid of her rival forever. Viktória pours a slowly working poison into her sister’s glass.

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17:00

Sad Languages

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Smutné jazyky, r. Anna Grusková, SK, 2018; 60 min.; sk ,

What languages have you come across and where in your body would you place them? Germanist Jozef Tancer guides us through the world of concealed dramatic life stories and dying-out dialects of Carpathian Germans in Slovakia.

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From the Balcony

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Fra balkongen, r. Ole Giæver, NO, 2017; 86 min.; no / en sub / cz tit,

From the Balcony takes you on a journey through one year in the life of Ole and his family, living in Brochmannsgate 12A, Oslo, Norway, Europe, Earth, Universe. What if you would take a break from the rollercoaster called life and just sit and ask yourself: how did I get here? Do you live alone, with a family, or flatmates? In a small village in the countryside or maybe in a big foreign city? Was this the place you were supposed to be by now? And how do you keep going, even if you know that at some point the sun will burn out and everything around you will be gone forever?

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Girl

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Girl, r. Lukas Dhont, BE, 2018; 105 min.; fr, flam / en sub / cz tit,

Determined 15-year-old Lara is committed to becoming a professional ballerina. With the support of her father, she throws herself into this quest for the absolute at a new school. Lara’s adolescent frustrations and impatience are heightened as she realizes her body does not bend so easily to the strict discipline because she was born a boy.

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20:00

Happy as Lazzaro

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Lazzaro felice, r. Alice Rohrwacher, IT, 2018; 125 min.; it / cz tit,

This is a tale of a meeting between Lazzaro, a young peasant so good that he is often mistaken for simple-minded, and Tancredi, a young nobleman cursed by his imagination. A loyal bond is sealed when Tancredi asks Lazzaro to help him orchestrate his own kidnapping. This strange and improbable alliance is a revelation for Lazzaro. A friendship so precious that it will travel in time and transport Lazzaro in search of Tancredi. His first time in the big city, Lazzaro is like a fragment of the past lost in the modern world.

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The Cellar

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Pivnica, r. Igor Voloshin, SK, 2018; 100 min.; sk / en sub,

A long-lasting marriage of Milan and Táňa is thoroughly ruined; the only thing that is holding them together is their daughter Lenka. When a sixteen-year-old teenager doesn’t return home from a party, their life turns upside down. Both parents get overtaken by helplessness, fear and feelings of guilt. Neither friends, nor classmates, nor neighbours – nobody can help them. Milan no longer trusts police investigation that goes nowhere, and decides to seek the truth by himself. What is a desperate parent capable of doing when his kid disappears?

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We

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Wij, r. Rene Eller, NL, 2018; 100 min.; nl / en sub / sk tit,

During a scorching summer in a Belgian-Dutch border village, eight teenagers play games of discovery to break the listless monotony. They challenge each other and themselves and pretty soon, their sexual curiosity starts to blur the lines between right and wrong. As innocence is crushed in depraved games and sexual exploitation, the teenagers soon turn into ruthless predators.

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Electrifying world commercials

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Frankenstein, r. James Whale, US, 1931; 70 min.; en / sk tit,

Free entry

The Frankenstein screening is cancelled due to technical issues. You can attend a talk about Electrifying world commericals.

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21:00

The Disaster Artist

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The Disaster Artist, r. James Franco, US, 2017; 104 min.; en / cz tit,

A true story about the development and making of a cult classic by director Tommy Wiseau, The Room, labelled as one of the worst films of all times, “the Citizen Kane of bad movies”. The Disaster Artist is a story of two outsiders going after their dreams. When the big world rejects them they decide to shoot their own film which turns out to be – due to unintentionally funny moments, the plot’s turnovers and bad performances – a very sweet and at the same time horrible comedy drama.

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23:00

Pyromaniac

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Pyromanen, r. Erik Skjoldbjærg, NO, 2016; 96 min.; no / cz tit,

1978. All around a village in the south of Norway forests and abandoned buildings are being set on fire. Nineteen-year-old Dag, son of a fire chief, is unsuccessful in all his attempts to fit in the local community and the working group. He wanders through forests with a canister of gasoline and matches. He feels confident only when something is on fire. Small fires on the clearings are no longer enough and soon the lone teenager starts to be attracted by inhabited houses.

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Bring Me the Head of Alfredo Garcia

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Bring Me the Head of Alfredo Garcia, r. Sam Peckinpah, MX/US, 1974; 112 min.; en, es / cz tit,

When a Mexican land baron puts a million dollars on the head of the man who seduced his daughter, two money-hungry men recruit a small-town bartender, Bennie, to help them do their dirty work. He sets off with his girlfriend Elita on a tequila-fueled road trip across the desolate Mexican frontier, which grows more intense, gruesome and bloody with every savage murder they leave in their wake.

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štvrtok 13. 9.
11:00

The Load

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Teret, r. Ognjen Glavonić, RS/FR/HR/IR/QA, 2018; 98 min.; srb / en sub / sk tit,

Vlada works as a truck driver during the NATO bombing of Serbia in 1999. Tasked with transporting a mysterious load from Kosovo to Belgrade, he drives through unfamiliar territory, trying to make his way in a country scarred by the war. He knows that once the job is over, he will need to return home and face the consequences of his actions.

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Reprise

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Reprise, r. Joachim Trier, NO, 2006; 103 min.; no / en sub / sk tit,

A melancholic comedy set in the heart of Oslo about Erik and Phillip, best friends and aspiring authors, whose shared dreams are met with a sudden and heartbreaking challenge.

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14:00

Childhood

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Barndom, r. Margreth Olin, NO/SE, 2017; 90 min.; no / en sub / sk tit,

Childhood is a feature-length film about children and how they play on their own terms. An observational documentary that follows the children in Aurora Kindergarten throughout a year. These are children from one to seven years old. It is a quiet and close, life-affirming film, at the same time it will be deeply provocative because it draws up a whole different perspective on what children truly need than what is the current norm.

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The Tale

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The Tale, r. Jennifer Fox, US, 2018; 114 min.; en / cz tit,

A woman filming a documentary on childhood rape victims starts to question the nature of her childhood relationship with her riding instructor and her running coach.

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Puzzle

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Puzzle, r. Marc Turtletaub, US, 2018; 102 min.; en / sk tit,

Puzzle is a closely observed portrait of Agnes, who has reached her early 40s without ever venturing far from home, family or the tight-knit immigrant community in which she was raised by her widowed father. That begins to change in a quietly dramatic fashion when Agnes receives a jigsaw puzzle as a birthday gift and experiences the heady thrill of not only doing something she enjoys, but being very, very good at it.

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17:00

Cold War

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Zimna wojna, r. Pawel Pawlikowski, PL/FR/GB, 2018; 84 min.; pl, fr, de, hr / cz tit,

The story of a fateful love affair between singer Zula and composer Wiktor is set in the period of the building of Stalinist Poland as well as modern Europe. The two aren’t able to be together, but at the same time they are deeply attracted to each other and can’t live separately from each other. While jazz and folk music take turns on the background of Warsaw, Berlin and Paris, Zula and Wiktor perform their beautiful, though bitter ballad, their own cold war.

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DRIB

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DRIB, r. Kristoffer Borgli, NO, 2017; 90 min.; no, en / en sub / sk tit,

Amir is a performance artist and stand-up comedian who creates real characters and stories that unfold online in media real time. When his staged fight videos from the streets of Oslo go viral and hit international news headlines in 2014, a Los Angeles based advertising agency thinks it’s all real and spots an opportunity to exploit Amir’s newfound controversial fame. They want to make it part of an edgy marketing campaign for an energy drink, but Amir has his own plans. Amir plays himself in this reenactment of what happened in LA – fictionalized just enough to avoid legal complications. Hopefully…

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Oil Lamps

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Petrolejové lampy, r. Juraj Herz, CS, 1971; 101 min.; cz,

A daughter of rich parents, 30-year-old Štěpa yearns to get married and have children but according to the social norms she cannot marry under her class. However, she is too freethinking and independent for her provincial suitors. In the end she marries her cousin Pavel, a former army officer. Štěpa gradually finds out that Pavel was infected by syphilis during his turbulent years in the army. The untreated disease devastates and irreversibly paralyzes his body, and starts to eat away at his brains.

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19:00

Off Season

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Po sezóne, r. Andrea Kalinová, SK, 2018; 35 min.; sk / en sub,

A documentary about one of the most remarkable buildings of the 20th century – the abandoned Machnáč Sanatorium in Trenčianske Teplice spa town. The constructivist building was once an ode to progress, the architect’s materialized vision of humanism. The architect demonstrated in it his own ideas on technical and social progress, and thus built a symbol of a modern society. Today it is just a modernistic ruin of utopia, a transoceanic cruiser that shipwrecked in a spa park. The owners are not interested in maintaining a building which is not paying. The film is dedicated to the phenomenon of this extraordinary building through people who haven’t give up their efforts to save the Machnáč.

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20:00

Scary Mother

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Sashishi deda, r. Ana Urushadze, GE/EE, 2017; 107 min.; ge / en sub / sk tit,

A 50-year-old housewife, Manana, is forced to confront her opposing identities as a dedicated mother, and a brilliant, yet unconventional writer. When faced with a choice between her family and her passion, she decides to plunge fully into writing, sacrificing to it both mentally and physically.

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The Invisible Hand

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La mano invisible, r. David Macián, ES, 2017; 83 min.; es / en sub / sk tit,

In an industrial warehouse, a group of ordinary professionals are assembled daily to perform different tasks with apparent normality. Meanwhile, from the darkness of the auditorium, dozens of visitors observe the “wonderful” work show.

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Sergio & Sergei

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Sergio & Sergei, r. Ernesto Daranas Serrano, ES/CU, 2017; 93 min.; es / en sub / sk tit,

1991: the old USSR disintegrates and Cuba enters a huge economic crisis. Sergio, a radio ham and professor of Marxism, doesn’t know how to get his life back on track and provide for his family. Meanwhile Sergei, the last Soviet cosmonaut, finds himself nearly forgotten on the broken-down space station Mir. Purely by chance, Sergio and Sergei contact each other and strike up a friendship that will help both men to face the huge changes transforming their respective countries.

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21:00

The Death of Stalin

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The Death of Stalin, r. Armando Iannucci, FR/GR, 2017; 106 min.; en / cz tit,

The great leader has fallen. Directly on a carpet. His name is Stalin. Over his dead body a tragicomic struggle for succession begins. The comrades from Politburo slowly get rid of their years-long fear and the real show can begins. Even if you don’t consider the plot line to be ingenious enough, believe us that The Death of Stalin with all its tragedy as well as its ability to mock everything is a very funny film.

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23:00

Diabolique

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Les diaboliques, r. Henri-Georges Clouzot, FR, 1955; 117 min.; fr / en sub / sk tit,

A sadistic headmaster terrorizes both his wife and his mistress who live together under the same roof in a third-rate boarding school. This unlikely alliance of two women, based on mutual hatred, meticulously plans and executes a murder to get rid of the hated tyrant forever. Everything seems to be just right until a body which they have dumped into the pool disappears.

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The House That Jack Built

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The House That Jack Built, r. Lars von Trier, DK/SE/FR/DE, 2018; 155 min.; en / cz tit,

USA in the 1970s. We follow the highly inteligent Jack over a span of 12 years and are introduced to the murders that define Jack’s development as a serial killer. We experience the story from Jack’s point of view, while he postulates each murder is an artwork in itself. As the inevitable police intervention is drawing nearer, he is taking greater and greater risks in his attempt to create the ultimate artwork. The House That Jack Built is a dark and sinister story, presented through a philosophical and occasional humorous tale.

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piatok 14. 9.
11:00

Pinchcliffe Grand Prix

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Flåklypa Grand Prix, r. Ivo Caprino, NO, 1975; 87 min.; no / en sub / sk tit,

Theodore and his two assistants, Sonny and Lambert, earn a living repairing bicycles, making new inventions and manufacturing computerised flagpoles for the Swiss Navy. One day they find out that Theodore’s former assistant has swiped one of his great inventions, the super retometric distributor. With the aid of this, he has become a world champion Formula 1 driver, and is now challenging any contender to a race. In spite of Lambert’s dire warnings, but inspired by Sonny’s enthusiasm and pluck, Theodore sets to work finishing the racing car Il Tempo Gigante.

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The Seagull

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The Seagull, r. Michael Mayer, US, 2018; 99 min.; en / sk tit,

One summer at a lakeside Russian estate, friends and family gather for a weekend in the countryside. While everyone is caught up in passionately loving someone who loves somebody else, a tragicomedy unfolds about art, fame, human folly, and the eternal desire to live a purposeful life.

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14:00

Elsewhere

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Inde, r. Juraj Nvota, Marian Urban, SK/CZ, 2018; 75 min.; sk, fr / sk tit,

The life and times of a unique author and pilgrim, Alexander Mlynárčik, in action – in his exceptional manifestations, activities, tricks, but also the contradictions of the era in which he lived. A story of almost a full century which formed the modern identity, culture and fundamental values of Slovakia – not only as a part of Czecho-Slovakia, but also as an independent state, but mostly as a part of the broader, marginally European, community to which our protagonist, with his work and life, integrally belongs.

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The King’s Choice

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Kongens Nei, r. Erik Poppe, NO/IE/DE/SE, 2016; 130 min.; se, de, no, de / en sub / sk tit,

The King’s Choice is based on a true story about three dramatic days in April of 1940, when the King of Norway is presented with the monstrous ultimatum from the Germans: surrender or die. With German soldiers hunting them down, the royal family is forced to flee from the capital. They decide to go separate ways, not knowing if they’ll ever see each other again.

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Haunted: A Last Visit to the Red House

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Haunted: A Last Visit to the Red House, r. Phyllis Grae Grande, PH, 2017; 79 min.; ph / en sub / sk tit,

Haunted: A Last Visit to the Red House is a documentary about the Red House which was used by the Japanese as a garrison during WW2 where they brought the towns’ women and used them as “comfort women”.

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17:00

The Man Who Killed Don Qixote

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The Man Who Killed Don Qixote, r. Terry Gilliam, ES/FR/BE/PT, 2018; 132 min.; en, es / cz tit,

Toby, a cynical advertising director, finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth – a film that changed the hopes and dreams of a small Spanish village forever. Can Toby make amends and regain his humanity? Can Don Quixote survive his madness and imminent death? Or will love conquer all?

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Domestique

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Domestik, r. Adam Sedlák, CZ/SK, 2018; 116 min.; cz,

Roman is a top level cyclist recovering from an injury through hard work and strict regimen. To improve his performance, he even sleeps in an oxygen tent installed in his bedroom. That is a bitter pill to swallow for his wife, Šarlota, whose long-time wish is to conceive a child. And so they both brim with determination, get lost in their obsessions, and improve their bodies to a point where they might even frighten themselves.

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Styx

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Styx, r. Wolfgang Fischer, DE/AT, 2018; 94 min.; en, de / en sub / sk tit,

Rike embodies a typical Western model of happiness and success. She is educated, confident, determined and committed. We see Rike’s everyday life, as an emergency doctor, before she fulfils a long-held dream and sails out to sea alone in her sailing boat. But her dream holiday is quickly broken off on the high seas, when, after a storm, she finds herself near a stricken fishing boat. Around a hundred people are about to drown. Rike follows maritime law and radios for help. As her request is going nowhere, she is forced to make a momentous decision.

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20:00

Dogman

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Dogman, r. Matteo Garrone, IT/FR, 2018; 102 min.; it / cz tit,

Dubbed an “urban Western,” Dogman takes place in an Italian suburb somewhere between metropolis and wild nature. Marcello, a small and gentle dog groomer, finds himself involved in a dangerous relationship of subjugation with Simone, a former violent boxer who terrorizes the entire neighborhood. In an effort to reaffirm his dignity, Marcello will submit to an unexpected act of vengeance.

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Crazy Against Nation

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Prípad Kalmus, r. Adam Hanuljak, SK, 2018; 81 min.; sk ,

We witness the rise of new monuments of the 20th century monsters and their destruction by an extraordinary artist. Peter Kalmus is a unique performer, who is well known in Slovakia thanks to his political activism. He attacks the busts and memorials of the representative of the inhuman regime. He provokes society into a discussion about our bloody past. He provokes, he plays a jester, he is a bad conscience of an apathetic society. He is needed. Actually, he is a local, Slovak, Pussy Riot.

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Denmark

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Danmark, r. Kasper Rune Larsen, DK, 2017; 90 min.; dk / en sub / sk tit,

Norge (22) is your typical slacker kid. He aimlessly wanders the suburban housing blocks with a beer and a joint and his only friend Myre. Two kids dreaming of moving to a bigger city like Aarhus or Berlin. They have everything planned out; music career and all. However, nothing happens until the sixteen-year-old Josephine dumps into Norge’s life claiming to be pregnant with his child.

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21:00

The Beguiled

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The Beguiled, r. Sofia Coppola, US, 2017; 94 min.; en / cz tit,

The American Civil War rages behind the walls of an isolated girls’ school, but the students and the teachers manage to ignore the ongoing conflict until somebody knocks on their door. In an act of Christian charity, they start to take of a heavily wounded enemy officer, John McBurney, and plan to hand him over to “their” troops as a war captive as soon as he gets better. Little by little John starts to manipulate the young students headed by beautiful Alicia, teacher Edwin as well as the headmaster. However, John doesn’t realize he is in the middle of a battlefield that is far more dreadful and destructive than the war behind the school walls.

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23:00

November

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November, r. Rainer Sarnet, EE/NL/PL, 2017; 115 min.; ee, de, it / en sub / sk tit,

A pagan Estonian village where werewolves, plague, and spirits roam. Nothing is taboo. People steal from each other, from their German manor lords, from spirits, the devil, and Christ. A young farm girl named Liina is hopelessly and forlornly in love with a village boy named Hans. Her longing makes the girl become a werewolf and jump into an ice-cold pond. She’s ready to die in the name of love.

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Border

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Gräns, r. Ali Abbasi, SE/DK, 2018; 108 min.; se / cz tit,

Illogic as it may seem due to her deformed face shocking people all around her, Tina works as a customs officer. Tina has a refined sense of smell, she can literally sniff out fear on travellers carrying restricted substances and materials in their baggage. On an ordinary working day she meets Vore, an untidy man with long oily hair wearing a leather jacket, whose smell doesn’t reminds Tina of anything she has smelled before. Vore is the key to her own mysterious existence.

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Sobota 15. 9.
10:00

Coco

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Coco, r. Lee Unkrich, Adrian Molina, US, 2017; 105 min.; cz dab,

Despite his family’s odd ban on music, young Miguel dreams of becoming an accomplished musician like his tragically deceased idol Ernesto de la Cruz. Desperate to prove his talents, Miguel finds himself on a place no living person has ever visited – in the stunning and colourful Land of the Dead. For the locals his visit is equally shocking. With the help of a local trickster named Héctor, Miguel embarks on an extraordinary journey to unlock the secrets of his family…

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11:00

Oslo, August 31st

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Oslo, 31. August, r. Joachim Trier, NO, 2011; 96 min.; no / en sub / sk tit,

Anders will soon complete his drug rehabilitation. As part of the program, he is allowed to go into the city for a job interview. But he takes advantage of the leave and stays on in the city, drifting around, meeting people he hasn’t seen in a long while. Thirty-four-year-old Anders is smart, handsome and from a good family, but deeply haunted by all the opportunities he has wasted, all the people he has let down. He is still relatively young, but feels his life in many ways is already over.

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Tazzeka

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Tazzeka, r. Jean-Philippe Gaud, FR/TN, 2018; 95 min.; fr, arab / en sub / sk tit,

In Paris, Elias faces unstable work and financial hardship as an undocumented immigrant. But he also finds friendship with Souleymane, who helps revive his passion for cooking.

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14:00

Custody

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Jusqu'à la garde, r. Xavier Legrand, FR, 2017; 90 min.; fr / cz tit,

Miriam and Antoine Besson have divorced, and Miriam is seeking sole custody of their son Julien to protect him from a father she claims is violent. Antoine pleads his case as a scorned dad and the appointed judge rules in favor of joint custody. A hostage to the escalating conflict between his parents, Julien is pushed to the edge to prevent the worst from happening.

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Student Films – AKU

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Študentské filmy – AKU, r. rôzni/various, SK, 2018; 84 min.; sk / en sub,

This Is Where I Am Slovak

Tu som Slovákom; SK, 2018, 19 min.; sk / en sub
Director: Matúš Chovanec

The movie depicts life of Slovaks in Romania. It captures everyday situations of three respondents which are mainly filled with manual work.

 

(In)Visible Worlds

(Ne)viditeľné svety; SK, 2018, 21 min.; sk / en sub
Director: Zuzana Hudáčeková

By watching three women working as home-care nurses in different European countries, we are getting a picture of life abroad in contrast to life in Slovakia.

 

Gamer
Hráč; SK, 2018, 25 min., sk / en sub
Director: Matúš Men

The documentary Gamer examines both professional and personal life of an electronic sports player, his everyday routine, and his mother’s perception of the situation before and after he stared to be successful.

 

eL

eL; SK, 2018, 19 min.; sk / en sub
Réžia/Director: Sonia Gallo

The documentary eL tells a story of an (extra)ordinary woman who struggles to find the real essence of her existence and at the same time true love. Together with the protagonist, we enter the world of homosexual relationships and find out they are not that different from heterosexual ones.

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All You Can Eat Buddha

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All You Can Eat Buddha, r. Ian Lagarde, CA, 2017; 84 min.; fr / sk tit,

In this phantasmagoric black comedy, a man’s mysterious appetite and supernatural powers gradually lead to apocalypse in an all-inclusive resort in the Caribbean.

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17:00

An Extra Something

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Niečo naviac, r. Palo Kadlečík, Martin Šenc, SK, 2018; 67 min.; sk ,

One more chromosome in DNA and everything is so different. Dorotka was born with Down syndrome, her parents had refused the possibility to get rid of the fetus. Today she’s a teenager having her dreams and wishes as any other person of her age. But most of all she would like to become an actress… The story presents unique situations unveiling life of a young person with Down Syndrome in an authentic way. The film crushes myths and prejudices about the syndrome and serves as testimony that these people do have something extra.

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Joachim Trier: Shorts

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Pietà, Procter, Still, r. Joachim Trier, 1999-2002; 54 min.; en / sk tit,

Pietà

Pietà; NO/GB, 1999, 16 min., en / sk tit
Director: Joachim Trier

The film presents sketches of a young man’s memory and denial in relation to his dead friend and his mother.

 

Procter

Procter; NO/GB, 2002, 18 min.; en / sk tit
Director: Joachim Trier

When Charles Procter witnesses a stranger burn to death, he doesn’t expect to become part of the gruesome event. Then he discovers a video camera has captured him at the scene. What he discovers on the tape is more disturbing than the stranger’s death.

 

Still

Still; NO/GB, 2000, 20 min.; en / sk tit
Réžia/Director: Joachim Trier

An old man collapses and dies in a park. A glance at his watch triggers an associative stream of images.

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The Miseducation of Cameron Post

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The Miseducation of Cameron Post, r. Desiree Akhavan, US, 2017; 91 min.; en / cz tit,

Cameron Post looks the part of a perfect high school girl. But after she’s caught with another girl in the back seat of a car on prom night, Cameron is quickly shipped off to a conversion therapy center that treats teens “struggling with same-sex attraction”. At the facility, Cameron is subjected to outlandish discipline, dubious “de-gaying” methods, and earnest Christian rock songs – but this unusual setting also provides her with an unlikely gay community. For the first time, Cameron connects with peers, and she’s able to find her place among fellow outcasts.

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19:30

The Shape of Water

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The Shape of Water, r. Guillermo del Toro, US, 2017; 123 min.; en / cz tit,

A top secret U.S. government laboratory makes experiments with a curious amphibious creature captured in Amazonia. The scientists know very little about this humanoid – local tribesmen worship him as a god, he can breathe both on land and under water and is considered to be dangerous. When mute Elisa working in the laboratory as a cleaner randomly discovers the imprisoned creature, the two seem to be able to communicate. They don’t need words, gestures and emotions are just enough. When further brutal experiments are just about to start, Elisa realizes it’s time for them to escape.

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20:00

The Band

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Kapela, r. Ladislav Kaboš, SK, 2018; 80 min.; sk, róm / sk tit,

A loose sequel of a successful documentary All My Children follows the journeys of its Roma heroes. Not long ago Stano Čonka, a gifted craftsman with organizational skills, helped to build simple brick houses in a Roma settlement. Now he is a manager of a young music band and does his best to help “his guys to seize the big stage” and show their talent.

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Loro

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Loro, r. Paolo Sorrentino, IT/FR, 2018; 145 min.; it / sk tit,

In his new feature, Paolo Sorentino focuses on an entrepreneur and former prime minister, Silvio Berlusconi. A political satire on power and at the same time a picture of Italy’s decline at the beginning of the 21st century.

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Nina

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Nina, r. Olga Chajdas, PL, 2018; 130 min.; pl / en sub / sk tit,

After twenty years, Nina’s marriage to Wojtek is going nowhere, partly because of their failed attempts to have children. When the couple meets a young woman, Magda, they ask her to become the surrogate mother for their child. Things get more complicated when Nina starts felling attracted to Magda.

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21:00

Lady Bird

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Lady Bird, r. Greta Gerwig, US, 2017; 94 min.; en / cz tit,

18-year-old Christine feels that she hasn’t experienced anything so far. That she’s dying alive. That she chokes at school as well as under the controlling eye of her mother who knows everything the best. As the most of her peers, Christine decides to change her life radically but ignores the fact that it might hurt. The comedy Lady Bird by actor and debuting director Greta Gerwig is an extraordinary film about an ordinary coming of age.

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23:00

Climax

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Climax, r. Gaspar Noé, FR, 2018; 95 min.; fr, en / cz tit,

The film follows a group of twenty dancers heading to an old school in the middle of a forest to rehearse there for three days. On the last day they organize a party with a huge bowl of sangria. As the party heats up, all of them are obviously bemused by drugs. However, nobody knows who and when gave them the drugs. It doesn’t take much time before they start to experience neuroses and psychoses multiplied by the electrifying rhythm of music. Some of them are floating on air, but some are falling into burning hell…

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Leave Her to Heaven

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Leave Her to Heaven, r. John M. Stahl, US, 1945; 110 min.; en / sk tit,

Novelist Richard Harlan meets a beautiful young socialite Ellen Berent on a train. They fall in love with each other at first sight and get married soon after. However, her obsessive love for him threatens to destroy them and everyone else around. She loves him beyond the grave with all its grave consequences.

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Nedeľa 16. 9.
01:30

Hounds of Love

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Hounds of Love, r. Ben Young, AU, 2016; 108 min.; en / sk tit,

A seventeen-year-old Vicki Maloney is randomly abducted from a suburban street by a disturbed couple. Chained up to a bed, Vicki is thrown into a dark and cruel world of violence and domination. Her captors, John and Evelyn White, are a couple with issues. As Vicky observes the dynamics in their relationship, she quickly realises she must drive a wedge between them if she is to survive.

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03:30

Trouble Every Day

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Trouble Every Day, r. Claire Denis, FR/DE/JP, 2001; 101 min.; en, fr / cz tit,

“I love you so much I could eat you!” Dr. Shane Brown and his wife June are on a honeymoon in Paris. However, his real agenda is to track down Dr. Léo Sémeneau and his wife Coré. Shane and Léo used to be collagues leading an experimental research into the darkest corners of human libido.

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10:00

Early Man

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Early Man, r. Nick Park, GB/FR, 2018; 88 min.; sk dab,

Dug is a typical plucky hero living in the relatively peaceful Stone Age. But now together with his four-legged friend he must save his tribe and his beloved home from a grave threat. The Bronze Age headed by a wicked lord has invaded their land. By coincidence, Dug finds himself in the middle of the enemy area where he tries to ensure the future of his tribe by putting all his eggs in one basket – a strange game in which two equally large groups of warriors try to kick a leather ball. Dug’s only chance to succeed is to teach himself and other ten really clumsy cave men to play football and then win a match against the top representation team Real Bronzio.

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11:00

Louder Than Bombs

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Louder Than Bombs, r. Joachim Trier, NO/FR/US, 2015; 109 min.; en / sk tit,

Three years after her unexpected death, the preparation of an exhibition celebrating the famous war photographer Laura Freed brings her husband and their two sons together for the first time in years. When an unsettling secret resurfaces, the three men are forced to look at each other and themselves in a new light, redefining their innermost needs and desires.

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Student Films – VŠMU

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Študentské filmy – VŠMU, r. rôzni/various, SK, 2017; 71 min.; sk / en sub,

Magic Moments

Magic Moments; SK, 2017, 20 min., sk / en sub
Director: Martina Buchelová

Parents struggle to earn money, so sisters basically take care of each other alone. Thanks to the bond they have, they might have already won over life’s shit.

 

43 Years of Bratislava Metro

43 rokov bratislavského metra; SK, 2016, 18 min.; sk
Director: Lucia Kašová

About tunnels in Bratislava transportation systems.

 

SelFish

SelFish; SK, 2017, 11 min.; no dialogues
Director: Lukáš Figeľ

Fisherman Augustine is proud of his fish collection. To complete the collection he must catch the last fish that is still missing. For catching the fish he will pay everything he has ever had.

 

Yours

Yours; SK, 2017, 6 min.; no dialogues
Director: Michal Fulier

The film tells a story about a young woman who cannot cope with the death of her husband. By using the virtual reality, she discovers a new way to meet him and live together again. However, the new virtual pleasure becomes both a dependency and a prison for her.

 

I Want to Believe

I Want to Believe; SK, 2017, 16 min.; sk / en sub
Director: Matúš Ryšan

A group of documentarists portray an enthusiast and his friend, who dedicated their lives to following and mapping Chemtrails and saving humanity. Film is a satire on the current socio-political attitude movements rising all around Europe as well as in the rest of the world.

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14:00

Summer

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Leto, r. Kirill Serebrennikov, RU/FR, 2018; 126 min.; ru / cz tit,

Leningrad, one summer in the early eighties. The underground rock scene is boiling. Amongst the followers of Led Zeppelin and David Bowie, young Viktor Tsoi is eager to make a name for himself. The encounter with his idol Mike and his beautiful wife Natasha will change his life forever. Together they will build Viktor’s legend and make him immortal.

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U – July 22

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Utøya 22 juli, r. Erik Poppe, NO, 2018; 90 min.; no / cz tit,

Film U – July 22 is inspired by real events that occurred on this tragic day in 2011 on a Norwegian island when right-wing extremist Anders Breivik killed 77 people. The film observes the principle of unity of place and time, and is made in the form of a single shot. Suggestive camera tracks the main protagonist, 18-year-old Kaja, and other scared teenagers who don’t know what’s going on. They can hear uninterrupted firing, run in panic and try to hide.

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Goliath

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Goliath, r. Dominik Locher, CH, 2017; 85 min.; de / en sub / sk tit,

When Jessy tells David she’s pregnant, he panics. A few days later the two are assaulted in the city train, and when David realises he is unable to protect his girlfriend, his fears of inadequacy as a man take hold. Frantic, he resorts to steroids and begins with excessive strength training. Initially, the muscles give him self-confidence. Within a short time, however, David develops erratic behaviour and becomes a threat to Jessy and the unborn child.

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17:00

The Last Self-Portrait

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Posledný autoportrét, r. Marek Kuboš, SK, 2017; 72 min.; sk / en sub,

The self-portrait of Marek Kuboš about his departure from a documentary film… about fulfilling one’s dream… about a wardrobe… about a huntsman…

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Thelma

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Thelma, r. Joachim Trier, NO/FR/DK/SE, 2017; 116 min.; no / cz tit,

Fragile Thelma has just started to attend college. Despite her parents’ enormous effort to control everything she does, Thelma tastes independence and the whirl of student life. But when she falls in love with her beautiful classmate Anja, mysterious and frightening things start to happen all around her. Terrified, Thelma finds out she might be the cause of that all.

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19:00

Everybody Knows (Closing Ceremony)

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Todos lo saben, r. Asghar Farhadi, FR/ES/IT, 2018; 132 min.; es / cz tit,

Laura and her children travel from Buenos Aires to the village where she was born, on a Spanish vineyard, to attend her sister’s wedding but unexpected events lead this gathering towards a crisis which exposes the hidden past of the family.

This movie will be screened after a Closing Ceremony of the 13th IFF Cinematik Piešťany, 2018.

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19:30

The Most Beautiful Day

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Der geilste Tag, r. Florian David Fitz, DE, 2016; 113 min.; de / en sub,

The best party is always the last one. Peculiar, uneasy and ambitious pianist Andi meets phlegmatic and easygoing Benn. They find out they have one thing in common – both thirty-year-olds are diagnosed with terminal illnesses and the Grim Reaper is already knocking on the door with his scythe. One persuades the other that they have a unique chance to give up on any responsibility. They flee the hospice to let their hair down and enjoy the most amazing days of their lives. When if not now…

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21:00

Look Who’s Back

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Er ist wieder da, r. David Wnendt, DE, 2015; 110 min.; de / cz tit,

Nearly seventy years after his inglorious death, Adolf Hitler wakes up in today’s Berlin. The first evaluation of his new situation is not very pleasing. The war has ended, and what is more with a defeat, his political party doesn’t exist anymore and he misses his beloved Eva Braun. Hitler hardly recognizes “his” city. Berlin is full of foreigners and Germany is ruled by some woman called Angela Merkel. Soon after the initial shock Hitler adapts and thanks to television he starts a new career in the unknown world. Not as a leader of the nation but a comic actor because everybody mistakes him for a hilarious impersonator of himself.

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